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Ozel AB - Zeen
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Ozel AB - Series Paralell
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Ozel AB - Beneath The Eye Of The Rye
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Ozel AB - Yahso
There was a flickering glow which dazzled and sparkled atop the water of the lake. The last of the summer sunlight was beaming down warm and hot on the open expanse as swimmers took deep breaths and swam in what would be the last of the season.
It was magical up here in the mountains, some called it a zen like paradise. He’d spent many months here, sat by the side of the lake, sketching and drawing the sights and things he saw before him.
Never had he imagined that it might all come to an end quite so quickly for soon he would be back home amongst the tall buildings and the concrete constabulary.
Ozel AB is a producer who has released an array of forward thinking electronic and club focussed EP’s on the likes of Workshop, Lobster Theremin and Third Ear.
Now he is launching his own record label, an opportunity for him to showcase recent material and explore new sounds. More
It was magical up here in the mountains, some called it a zen like paradise. He’d spent many months here, sat by the side of the lake, sketching and drawing the sights and things he saw before him.
Never had he imagined that it might all come to an end quite so quickly for soon he would be back home amongst the tall buildings and the concrete constabulary.
Ozel AB is a producer who has released an array of forward thinking electronic and club focussed EP’s on the likes of Workshop, Lobster Theremin and Third Ear.
Now he is launching his own record label, an opportunity for him to showcase recent material and explore new sounds. More
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Tracklisting:
A1 Fresko - Cold Modern
A2 Fresko - Rapids
B1 Fresko - Punk Funk
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A1 Fresko - Cold Modern
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B1 Fresko - Punk Funk
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Lucho Bermudez y su Orquesta - Mi Cumbia
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Lucho Bermudez y su Orquesta - Mi Cumbia (alternative version)
(2 LP + 16-page Booklet) 'The Coastal Invasion’ highlights the golden age of big band cumbia and the maestro who is often seen as Colombia’s most influential composer, Lucho Bermudez. This compilation contains a selection of the music of Lucho Bermúdez y su Orquesta recorded during the years that they lived and worked in Medellín, probably the best work the orchestra ever recorded.
TRACKLIST
A1. Mi Cumbia
A2. Mi Pueblo
A3. Colombia Tierra Querida
A4. Nelly
A5. A Orillas Del Chicagua
A6. Gaita De Las Flores
B1. Fiesta De Negritos
B2. Que Caña Dulce
B3. Roberto Mendez
B4. Tambores De Chambacu
B5. Prende La Vela
B6. Santa Marta
C1. Danza Negra
C2. Gaiteando
C3. Arroz Con Coco
C4. Plinio Guzman
C5. Navidad Negra
D1. Tolu
D2. Taganga
D3. La Buchaca
D4. Irma
D5. Mi Cumbia (alternative version)
INFO
'The Coastal Invasion’ highlights the golden age of big band cumbia and the maestro who is often seen as Colombia’s most influential composer, Lucho Bermudez.
Bermudez was a key figure who modernised the tropical music of Colombia's Caribbean coast. At the beginning of the 20th century, this music was largely looked down on. Bermudez changed all that by injecting a modern, jazzy big band sound to the Afro-Colombian sounds from his native region.
The infectious Afro-Amerindian dance rhythms of Lucho Bermudez y su Orquesta took over the elite nightclubs of Bogota and Medellin and from there, his music spread all over Latin America. For many Colombians, the songs of Lucho Bermudez and his wife and starlet singer Matilde Diaz represent the sound of their nation.
This compilation contains a selection of the music of Lucho Bermúdez y su Orquesta recorded during the years that they lived and worked in Medellín, probably the best work the orchestra ever recorded. More
TRACKLIST
A1. Mi Cumbia
A2. Mi Pueblo
A3. Colombia Tierra Querida
A4. Nelly
A5. A Orillas Del Chicagua
A6. Gaita De Las Flores
B1. Fiesta De Negritos
B2. Que Caña Dulce
B3. Roberto Mendez
B4. Tambores De Chambacu
B5. Prende La Vela
B6. Santa Marta
C1. Danza Negra
C2. Gaiteando
C3. Arroz Con Coco
C4. Plinio Guzman
C5. Navidad Negra
D1. Tolu
D2. Taganga
D3. La Buchaca
D4. Irma
D5. Mi Cumbia (alternative version)
INFO
'The Coastal Invasion’ highlights the golden age of big band cumbia and the maestro who is often seen as Colombia’s most influential composer, Lucho Bermudez.
Bermudez was a key figure who modernised the tropical music of Colombia's Caribbean coast. At the beginning of the 20th century, this music was largely looked down on. Bermudez changed all that by injecting a modern, jazzy big band sound to the Afro-Colombian sounds from his native region.
The infectious Afro-Amerindian dance rhythms of Lucho Bermudez y su Orquesta took over the elite nightclubs of Bogota and Medellin and from there, his music spread all over Latin America. For many Colombians, the songs of Lucho Bermudez and his wife and starlet singer Matilde Diaz represent the sound of their nation.
This compilation contains a selection of the music of Lucho Bermúdez y su Orquesta recorded during the years that they lived and worked in Medellín, probably the best work the orchestra ever recorded. More
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Nala Sinephro - Space 1
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Nala Sinephro - Space 2
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Nala Sinephro - Space 3
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Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
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Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
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Tracklist
A1. Earth Boys – Destination Heaven
A2. Family Of Few - Intervoles
B1. Dummy Head – I Have Been Wanting You (Edit Mix)
B2. Karim – In My Mind
Release Note:
Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!
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A1. Earth Boys – Destination Heaven
A2. Family Of Few - Intervoles
B1. Dummy Head – I Have Been Wanting You (Edit Mix)
B2. Karim – In My Mind
Release Note:
Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!
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X Club - 1 HOLD ON (CHOPD N SCREWD MIX)
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X Club - 2 SITTING DUCKS
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X Club - 3 NO ONE
Fjaak's CROWD label proudly presents the third EP, this time by X Club., Australia's freshest export, showcasing their signature tribal rhythms & euphoric vibes. Kicking it off with 'Hold On (Chop'D n Screw'D Mix),' a dance floor anthem featuring flashy synths, euphoric vocal cries, and a rolling baseline. 'Sitting Ducks' keeps the energy levels high with fast-speed drums, tribal percussion, old-school stabs, and a dominating bass. Lastly, 'No One' offers a stripped-back banger with turbo-charged synth motifs, well-swung claps aligned with robust drum grooves. Despite their young age, X Club. has achieved remarkable success in the underground scene!
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Yan Cook - Nocturnal
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Yan Cook - Proximity
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Yan Cook - Antimatter
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Yan Cook - Exomoon
Tracklisting
A1 Yan Cook - Nocturnal
A2 Yan Cook - Proximity
B1 Yan Cook - Antimatter
B2 Yan Cook - Exomoon More
A1 Yan Cook - Nocturnal
A2 Yan Cook - Proximity
B1 Yan Cook - Antimatter
B2 Yan Cook - Exomoon More
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Fantasy Traxx - Let Me Show You
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Fantasy Traxx - My Paradise
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Fantasy Traxx - Take You Higher
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Fantasy Traxx - Total 90
For the first Tessellate record of the year label owners The Trip are returning with another EP, this time taking inspiration from 90s rave and 00s dance. Featuring four high energy nostalgia inducing tracks, expect big pianos, euphoric keys and rolling basslines that will take you back to the golden era of house.
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Skee Mask - Cerroverb
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Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
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Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
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