Label:Glossy Mistakes
Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804181549
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Cat-No:GLOSSY019
Release-Date:10.05.2024
Genre:Alternative/Electronic
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1
funcionário - A1. Esperança
2
funcionário - A2. Retrato
3
funcionário - A3. Momento Claro
4
funcionário - B1. Retiro Guerreiro
5
funcionário - B2. Excerto Só Loser
6
funcionário - B3. Sol Nascente
7
funcionário - B4. Tempo
8
funcionário - B5. Batalha Real
LP
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
More
- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences
GENRE/S: Ambient, Fourth World, New Age, Minimal
TRACKLIST:
Side A:
Esperança
Retrato
Momento Claro
Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real
SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works
Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.
Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.
At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.
Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".
Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.
Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.
More
More records from funcionário
Cat-No:GOS008LP
Release-Date:04.03.2022
Configuration:LP Excl
Barcode:4251804129572
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Release-Date:04.03.2022
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1
funcionário - Dolphin Bay Vacation
2
funcionário - Maiden Voyage 561
3
funcionário - Underwater Rescue
4
funcionário - 562 & 563
5
funcionário - Dolphin Bay Dream
6
funcionário - As Right As Rain
7
funcionário - Victory Road
8
funcionário - Blue & White Postcard
Following Chari Chari and Rui Maia's albums, Organic Series releases another collection of beautiful music by funcionário, artistic alias of multitalented Pedro Tavares.
"Lisbon Dreams" is a conceptual album shaped by Pedro that evoques his travels between Setúbal and Lisbon, while studying Fine Arts at the portuguese capital city.
Music wise, "Lisbon Dreams" represents an unfolding new world, full of overwhelming feelings translated into musical landscapes and possibly inspired by contemporary producers like Nuno Canavarro or Susumu Yokota.
But when Pedro talks about his album he likes to quote John Cage: don't try to create and analyze at the same time. They're different processes.
- For fans of Susumu Yokota or Nuno Canavarro
TRACKLISTS:
A1. Dolphin Bay Vacation
A2. Maiden Voyage 561
A3. Underwater Rescue
A4. 562 & 563
B1. Dolphin Bay Dream
B2. As Right As Rain
B3. Victory Road
B4. Blue & White Postcard
More
"Lisbon Dreams" is a conceptual album shaped by Pedro that evoques his travels between Setúbal and Lisbon, while studying Fine Arts at the portuguese capital city.
Music wise, "Lisbon Dreams" represents an unfolding new world, full of overwhelming feelings translated into musical landscapes and possibly inspired by contemporary producers like Nuno Canavarro or Susumu Yokota.
But when Pedro talks about his album he likes to quote John Cage: don't try to create and analyze at the same time. They're different processes.
- For fans of Susumu Yokota or Nuno Canavarro
TRACKLISTS:
A1. Dolphin Bay Vacation
A2. Maiden Voyage 561
A3. Underwater Rescue
A4. 562 & 563
B1. Dolphin Bay Dream
B2. As Right As Rain
B3. Victory Road
B4. Blue & White Postcard
More
More records from Glossy Mistakes
2LP Excl
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Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:14.06.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250101464881
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Genre:Alternative/Electronic
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1
various - Atlantic Mavericks - A1. Fé de Sábio - Crepúsculo
2
various - Atlantic Mavericks - A2. Nuno Rebelo - Vê-Se Das Nuvens
3
various - Atlantic Mavericks - A3. Vítor Rúa - T
4
various - Atlantic Mavericks - A4. Tó Neto - Daly
5
various - Atlantic Mavericks - B1. Luis Cilia - Saxofonía
6
various - Atlantic Mavericks - B2. SPQR - Flow
7
various - Atlantic Mavericks - B3. Telectu - Untitled
8
various - Atlantic Mavericks - B4. Pilar - Voz do Mar
9
various - Atlantic Mavericks - Carlos María Trindade - Em Campo Aberto
10
various - Atlantic Mavericks - C2 Balladium - Andrómeda
11
various - Atlantic Mavericks - C3 Ban - Irreal Social
12
various - Atlantic Mavericks - D1 Pop Dell'Arte - Querelle
13
various - Atlantic Mavericks - D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
14
various - Atlantic Mavericks - D3 Croix Sainte - We Build Citie
15
various - Atlantic Mavericks - D4 Linha Geral - Hino À Nossa Luta
2LP
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
More
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
More
LP Excl
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Label:Glossy Mistakes
Cat-No:GLOSSY021
Release-Date:22.03.2024
Configuration:LP Excl
Barcode:8425402803967
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Cat-No:GLOSSY021
Release-Date:22.03.2024
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Barcode:8425402803967
1
Various Artist - A1. clä-sick - Morning in China
2
Various Artist - A2. La Sellrose Can Can - Aerobicise
3
Various Artist - A3. Linolium - Unit 25
4
Various Artist - A4. Sume ba Miyako
5
Various Artist - A5. Pink Label - Good Luck
6
Various Artist - A6. NAME - N.H.K.
7
Various Artist - A7. Picky Picnic - Kibo no Asu
8
Various Artist - A8. ReveR - Performan
9
Various Artist - B1. NAME - Do We All Need Love
10
Various Artist - B2. Classic Pearl - Pearl
11
Various Artist - B3. La Sellrose Can Can - Happy Morning
12
Various Artist - B4. clä-sick - Every Night
13
Various Artist - B5. clä-sick - Black Nile
LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
More
GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
More
Label:Glossy Mistakes
Cat-No:GLOSSY018
Release-Date:15.11.2023
Configuration:LP Excl
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Cat-No:GLOSSY018
Release-Date:15.11.2023
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1
Martin Glass - Silver Screen Wellness
2
Martin Glass - Morning Walk with Marlene Dietrich
3
Martin Glass - Berthold Brecht Aqua Aerobi
4
Martin Glass - Seven Year Massage
5
Martin Glass - Sophia Meet Me At The Sanatorium
6
Martin Glass - Film Night at Magic Mountain
7
Martin Glass - The Imaginarium Of Groucho Mar
8
Martin Glass - Grace and Marcello Bored on t
9
Martin Glass - Ancient Stars
10
Martin Glass - Dean Martin's Blizzard Dreams
11
Martin Glass - Cognac at the Esalen Lounge
12
Martin Glass - Buchla Mind Correction
13
Martin Glass - Carnival of the Jetsetters
LP
Tracklist:
A1 Silver Screen Wellness
A2 Morning Walk With Marlene
A3 Berthold Brecht Aqua Aerobics
A4 Seven Year Massage
A5 Sophia Meet Me At The Sana
A6 Film Night At Magic Mountain
B1 The Imaginarium Of Groucho
B2 Grace & Marcello Bored
B3 Ancient Stars
B4 Dean Martin's Blizzard Dreams
B5 Cognac At The Esalen Lounge
B6 Buchla Mind Correction
B7 Carnival Of The Jetsetters
Magic Mountain is the third full-length album from the itinerant American businessman, composer, and producer Martin Glass. Inspired by German electronic music pioneer Edgar Froese, Vangelis, early Warp Records releases, The Orb and The Future Sound of London, the album is a Fellinian memory maze of new age wellness culture, mid-20th century Hollywood glitz, exhaustion, dreams, fantasy, desire and listless ennui. The less sense it makes, the more we can't stop listening to it.
Drawing from the impressionistic recollections of an unreliable narrator with an ever-loosening relationship with time and space, Magic Mountain tells the story of Martin’s feverish stay in a celebrity health resort in the hills beyond Hollywood. Over the course of thirteen evocatively titled tracks, the album unfolds like a half-remembered dream of a place somehow lost and imagined but not beyond our reach. Expressed through sweeping, retrofuturistic synthesisers, haunted old-time melodies, grainy samples and the occasional gently lulling rhythm, it plugs directly into emotion and pleasure, calling the listener to fall into the fantasy.
“As I’ve got older, I just want the music to be evocative, to take people away, to transport them somewhere, to move them,” Martin says. That’s such a basic requirement of music, I know, but – to me, increasingly – it’s becoming the only requirement! How can this record stop somebody on their mobile phone and make them feel something or yearn for something?”
Limited first run of 300 copies.
More
Tracklist:
A1 Silver Screen Wellness
A2 Morning Walk With Marlene
A3 Berthold Brecht Aqua Aerobics
A4 Seven Year Massage
A5 Sophia Meet Me At The Sana
A6 Film Night At Magic Mountain
B1 The Imaginarium Of Groucho
B2 Grace & Marcello Bored
B3 Ancient Stars
B4 Dean Martin's Blizzard Dreams
B5 Cognac At The Esalen Lounge
B6 Buchla Mind Correction
B7 Carnival Of The Jetsetters
Magic Mountain is the third full-length album from the itinerant American businessman, composer, and producer Martin Glass. Inspired by German electronic music pioneer Edgar Froese, Vangelis, early Warp Records releases, The Orb and The Future Sound of London, the album is a Fellinian memory maze of new age wellness culture, mid-20th century Hollywood glitz, exhaustion, dreams, fantasy, desire and listless ennui. The less sense it makes, the more we can't stop listening to it.
Drawing from the impressionistic recollections of an unreliable narrator with an ever-loosening relationship with time and space, Magic Mountain tells the story of Martin’s feverish stay in a celebrity health resort in the hills beyond Hollywood. Over the course of thirteen evocatively titled tracks, the album unfolds like a half-remembered dream of a place somehow lost and imagined but not beyond our reach. Expressed through sweeping, retrofuturistic synthesisers, haunted old-time melodies, grainy samples and the occasional gently lulling rhythm, it plugs directly into emotion and pleasure, calling the listener to fall into the fantasy.
“As I’ve got older, I just want the music to be evocative, to take people away, to transport them somewhere, to move them,” Martin says. That’s such a basic requirement of music, I know, but – to me, increasingly – it’s becoming the only requirement! How can this record stop somebody on their mobile phone and make them feel something or yearn for something?”
Limited first run of 300 copies.
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MC
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Label:Glossy Mistakes
Cat-No:GLOSSY020
Release-Date:01.11.2023
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1
Martin Glass - Un Lieu Où Loger Nos Corps
2
Martin Glass - Uneven Places Of Love
3
Martin Glass - K
4
Martin Glass - Une Pluie De Papillons
5
Martin Glass - Warm, My Belly Is
1 x Cassette - Single Sided, EP, Limited Edition, 2023
Ambient, Drone, Experimental
Hannah Archimbault is a multidisciplinary French artist based in London. Hannah opens up her inner deep emotions throughout minimal sequences and loops of sustained and touching organ notes, with reminiscences of Philip Glass, Eva-Maria Houben, Harold Budd or Kali Malone and a contemporary vein that questions love in current times. "The EP came after a break up as I decided to compose in the process of going through this love grief and how you could grow from it, learn to love oneself after the break-up. Each song represents a different stage on this life chapter.". Indeed moving anger, sadness and acceptance are well represented on this sonic, brave redemption of the grief through the artform. More
Ambient, Drone, Experimental
Hannah Archimbault is a multidisciplinary French artist based in London. Hannah opens up her inner deep emotions throughout minimal sequences and loops of sustained and touching organ notes, with reminiscences of Philip Glass, Eva-Maria Houben, Harold Budd or Kali Malone and a contemporary vein that questions love in current times. "The EP came after a break up as I decided to compose in the process of going through this love grief and how you could grow from it, learn to love oneself after the break-up. Each song represents a different stage on this life chapter.". Indeed moving anger, sadness and acceptance are well represented on this sonic, brave redemption of the grief through the artform. More
Label:Glossy Mistakes
Cat-No:GLOSSY017
Release-Date:15.09.2023
Genre:Funk
Configuration:2LP Excl
Barcode:8435008876593
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Label:Glossy Mistakes
Cat-No:GLOSSY017
Release-Date:15.09.2023
Genre:Funk
Configuration:2LP Excl
Barcode:8435008876593
1
soFa elsewhere - The Is No Motorways In Space
2
soFa elsewhere - Last Sunset Ever
3
soFa elsewhere - Nighthunter
4
soFa elsewhere - Post Nine Days
5
soFa elsewhere - Cyclop Ohne Puppe
6
soFa elsewhere - The Dices
7
soFa elsewhere - Post Trauma
8
soFa elsewhere - Earthpeople
9
soFa elsewhere - The Cute Woman You Don't Want Reggae
10
soFa elsewhere - Ambient Wet End
11
soFa elsewhere - Funkypunk
12
soFa elsewhere - Glitter Morning
13
soFa elsewhere - Cosmic Egg
LP
TRACKLIST
A1 The Is No Motorways In Space
A2 Last Sunset Ever
A3 Nighthunter
A4 Post Nine Days
A5 Cyclop Ohne Puppe
B1 The Dices
B2 Post Trauma
B3 Earthpeople
C1 The Cute Woman You Don't Want Reggae
C2 Ambient Wet End
C3 Funkypunk
D1 Glitter Morning
D2 Cosmic Egg
Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings.
A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry.
This album is a good example on how some of the most authentic musical explorations are the most personal ones.
soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel.
What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style".
All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.
More
TRACKLIST
A1 The Is No Motorways In Space
A2 Last Sunset Ever
A3 Nighthunter
A4 Post Nine Days
A5 Cyclop Ohne Puppe
B1 The Dices
B2 Post Trauma
B3 Earthpeople
C1 The Cute Woman You Don't Want Reggae
C2 Ambient Wet End
C3 Funkypunk
D1 Glitter Morning
D2 Cosmic Egg
Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings.
A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry.
This album is a good example on how some of the most authentic musical explorations are the most personal ones.
soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel.
What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style".
All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.
More
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Label:Glossy Mistakes
Cat-No:GLOSSY013
Release-Date:23.06.2023
Genre:Funk
Configuration:2LP Excl
Barcode:8435008876388
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Cat-No:GLOSSY013
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Genre:Funk
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1
FINIS AFRICAE - Radio Tarifa
2
FINIS AFRICAE - El Secreto de las 12
3
FINIS AFRICAE - Luna
4
FINIS AFRICAE - Zoo Zulu
5
FINIS AFRICAE - Juana y Rosalía
6
FINIS AFRICAE - Hybla
7
FINIS AFRICAE - Managua
8
FINIS AFRICAE - Bahía de los Genoveses
9
FINIS AFRICAE - El Viento que Mece los Juncos
10
FINIS AFRICAE - Costa de la Muerte
11
FINIS AFRICAE - Petróleo, Petróleo
12
FINIS AFRICAE - Las Reglas de la Regata
13
FINIS AFRICAE - El Viaje de Iradier
14
FINIS AFRICAE - Alma Ata
15
FINIS AFRICAE - Los Restos del Naufragio
16
FINIS AFRICAE - El Pulso de la Madera
17
FINIS AFRICAE - Geosinclal
2 LP
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More
Label:Glossy Mistakes
Cat-No:GLOSSY015
Release-Date:15.03.2023
Genre:Funk
Configuration:LP Excl
Barcode:8435008864316
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Cat-No:GLOSSY015
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Genre:Funk
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Barcode:8435008864316
1
AQUARIUS - Só Tem Lugar Prá Você
2
AQUARIUS - A Ra
3
AQUARIUS - Carolina
4
AQUARIUS - Falsa Baiana
5
AQUARIUS - Beijo Partido
6
AQUARIUS - Só Louco
7
AQUARIUS - Chega De Saudade
8
AQUARIUS - Tamanco No Samba
9
AQUARIUS - Europanema
10
AQUARIUS - Saudade Da Bahia
11
AQUARIUS - Atire A Primeira Pedra
12
AQUARIUS - Tibidabo
13
AQUARIUS - Pink Bar
LP
TRACKLIST
A1: Só Tem Lugar Prá Você
A2: A Rã
A3: Carolina
A4: Falsa Baiana
A5: Beijo Partido
A6: Só Louco
B1: Chega De Saudade
B2: Tamanco No Samba
B3: Europanema
B4: Saudade Da Bahia
B5: Atire A Primeira Pedra
B6: Tibidabo
B7: Pink Bar
Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
"The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate AQUARIUS and CONTINENTAL for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos
These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz…
This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album.
More
TRACKLIST
A1: Só Tem Lugar Prá Você
A2: A Rã
A3: Carolina
A4: Falsa Baiana
A5: Beijo Partido
A6: Só Louco
B1: Chega De Saudade
B2: Tamanco No Samba
B3: Europanema
B4: Saudade Da Bahia
B5: Atire A Primeira Pedra
B6: Tibidabo
B7: Pink Bar
Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
"The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate AQUARIUS and CONTINENTAL for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos
These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz…
This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album.
More
Label:Glossy Mistakes
Cat-No:GLOSSY014
Release-Date:17.02.2023
Genre:Funk
Configuration:LP
Barcode:
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Cat-No:GLOSSY014
Release-Date:17.02.2023
Genre:Funk
Configuration:LP
Barcode:
1
Genji Sawai - 1969 (The Real)
2
Genji Sawai - Za
3
Genji Sawai - Hikobae
4
Genji Sawai - Cha-Brown
5
Genji Sawai - Sowaka
6
Genji Sawai - Don
Sowaka, recorded in 1984, displayed an innovative sound that went beyond genre – mixing dub, world, jazz, electro, hip-hop and avant-garde. A perfect match of some of the most experimental artists of that time resulting in an extremely sought after and singular piece of music of the golden Japanese era. A talented crossover. In 1984, working with Bill Laswell, Michael Beinhorn and Midori Takada would be unlike working with anyone else Genji Sawai had before, pulling him out of the J-jazz experimental scene he was based on. Rather than work off written music, they’d build songs like cooks. Genji might supply the ingredients, perhaps the tonal choices – sax, FM synths, drum machines, and Bill would task himself to do the “cooking”, creating the overall image of the song. It’s the use of imagery to have a conversation with each other, musically, that just felt so different to Genji. Unlike the other musicians who contributed to Sowaka, musicians of impressive, rarefied technique like Midori Takada, Shuichi “Ponta” Murakami, and Kazuhiko Shibayama, notation or sheet music wasn’t a part of Genji’s vocabulary with Bill. With him, drawings were how songs were built from the ether. Whatever image a demo conjured up – that’s where the song had to go. You hear it on songs like “Hikobae” that predicted the chopped and screwed sound that would revolutionize hip-hop years later. On this track what started with a mental picture, of some kind of tree shoot, metastasizes a vision full of no-wave sax skronk dosed with pointillistic dub affectations. Although, Sowaka wasn’t tied inherently to it’s original meaning – the final utterance from the Buddhist Heart Sutra – it’s philosophical meaning wasn’t too divorced from the true meaning (or at least, his truest meaning) Genji placed on it here: getting things done. Simply put, all his high-minded ideas wouldn’t have come to fruition unless all involved put some serious work into getting the project over the finish line. In five cracking days the album was put on tape and was then jettisoned off to NYC for Bill to put its final touches
More
Label:Glossy Mistakes
Cat-No:GLOSSY012
Release-Date:16.12.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:
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Cat-No:GLOSSY012
Release-Date:16.12.2022
Genre:Alternative/Electronic
Configuration:LP Excl
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1
Earthling - You Go On Natural
2
Earthling - I'm Waiting For You
3
Earthling - The Guard Of Sensitivity
4
Earthling - Heavy Feelings In My Mind
5
Earthling - Make It Together
6
Earthling - Caroline Calls Me
7
Earthling - Let's Find Our Bright Speed Again
8
Earthling - Morning Sun
LP
Tracklist:
A1 You Go On Natural
A2 I'm Waiting For You
A3 The Guard Of Sensitivity
A4 Heavy Feelings In My Mind
B1 Make It Together
B2 Caroline Calls Me
B3 Let's Find Our Bright Speed Again
B4 Morning Song
Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres. Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines. While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day. Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s. More
Tracklist:
A1 You Go On Natural
A2 I'm Waiting For You
A3 The Guard Of Sensitivity
A4 Heavy Feelings In My Mind
B1 Make It Together
B2 Caroline Calls Me
B3 Let's Find Our Bright Speed Again
B4 Morning Song
Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres. Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines. While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day. Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s. More
Label:Glossy Mistakes
Cat-No:GLOSSYFLOOR01
Release-Date:30.09.2022
Configuration:12" Excl
Barcode:
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Label:Glossy Mistakes
Cat-No:GLOSSY009
Release-Date:10.06.2022
Configuration:2LP
Barcode:4250101439834
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1
Stevia / Susumu Yokota - Flower
2
Stevia / Susumu Yokota - Cherry Girl
3
Stevia / Susumu Yokota - Black And White
4
Stevia / Susumu Yokota - Cubehead
5
Stevia / Susumu Yokota - Astral Spirits
6
Stevia / Susumu Yokota - Wheat Field
7
Stevia / Susumu Yokota - Freak Butterlfy
8
Stevia / Susumu Yokota - Dream People
9
Stevia / Susumu Yokota - La La Psyche
10
Stevia / Susumu Yokota - Requiem
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.” More
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.” More
Label:Glossy Mistakes
Cat-No:GLOSSY008
Release-Date:04.03.2022
Configuration:LP Excl
Barcode:4250101439513
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1
Metoronori - Evenings
2
Metoronori - ???????
3
Metoronori - ??????
4
Metoronori - m
5
Metoronori - ????
6
Metoronori - Time Cut
7
Metoronori - Wendy
8
Metoronori - Ball Of Fire
9
Metoronori - ??chasse
10
Metoronori - Flesh Alone
11
Metoronori - ?:?
12
Metoronori - ????? (To the squeaking of cars)
13
Metoronori - ????
LP
Tracklist:
A1 Evenings
A2 Track 2
A3 Track 3
A4 M
A5 Track 5
A6 Time Cut
B1 Wendy
B2 Ball Of Fire
B3 Chasse
B4 Flesh Alone
B5 Track 11
B6 To The Squeaking Of Cars
B7 Track 13
"Dreams are painful experiences; they are not real, but they are true," says Metoronori, whose very own ‘Evenings’ will finally see the day of light on vinyl thanks to Spanish reissue label Glossy Mistakes.
The label’s first release of 2022, by Japanese musician Metoronori, whose electronic sounds have previously appeared on Orange Milk Records and Virgin Babylon Records, will mark the start of a busy year for Glossy Mistakes. After appearing for the second year in a row on the prestigious ‘Best reissues of the year’ list for The Vinyl Factory, the label continues its own discovery path with what is meant to be one of its most cherished releases to date.
‘Evenings’ is a unique and nocturnal collection of songs. The 13-track record came from an unstable few years for the artist, during which she found solace in the night-time atmosphere of the various Tokyo wards that became her home. A voiced ode to dreams.
With her musical alias as a fun play on words meaning 'metro rider', ‘Evenings’ is a seamless and insular night-time journey from Metoronori, real name Hikari Okuyama. The journey though isn't charting train tunnels and rail tracks, but various dreamscapes, as underpinned by electronics and hints of free jazz.
While musical influences are too broad to pin down for such a singular sound, ‘Evenings’ comes with visual inspiration from esteemed directors such as Michelangelo Antonioni, Kiyoshi Kurosawa and Fritz Lang. Surrealism and noir bleed through the sounds, making for the visual texture of an out-of-context movie scene, much like part of a dream.
Dream pop sounds merge with ambient pads, soft vocals and oniric instrumentals throughout the whole piece, on a rollercoaster of emotions and feelings. An album to enjoy from start to finish, paying attention to detail as every sound on the records sums up to the overall meaning of the concept. More
Tracklist:
A1 Evenings
A2 Track 2
A3 Track 3
A4 M
A5 Track 5
A6 Time Cut
B1 Wendy
B2 Ball Of Fire
B3 Chasse
B4 Flesh Alone
B5 Track 11
B6 To The Squeaking Of Cars
B7 Track 13
"Dreams are painful experiences; they are not real, but they are true," says Metoronori, whose very own ‘Evenings’ will finally see the day of light on vinyl thanks to Spanish reissue label Glossy Mistakes.
The label’s first release of 2022, by Japanese musician Metoronori, whose electronic sounds have previously appeared on Orange Milk Records and Virgin Babylon Records, will mark the start of a busy year for Glossy Mistakes. After appearing for the second year in a row on the prestigious ‘Best reissues of the year’ list for The Vinyl Factory, the label continues its own discovery path with what is meant to be one of its most cherished releases to date.
‘Evenings’ is a unique and nocturnal collection of songs. The 13-track record came from an unstable few years for the artist, during which she found solace in the night-time atmosphere of the various Tokyo wards that became her home. A voiced ode to dreams.
With her musical alias as a fun play on words meaning 'metro rider', ‘Evenings’ is a seamless and insular night-time journey from Metoronori, real name Hikari Okuyama. The journey though isn't charting train tunnels and rail tracks, but various dreamscapes, as underpinned by electronics and hints of free jazz.
While musical influences are too broad to pin down for such a singular sound, ‘Evenings’ comes with visual inspiration from esteemed directors such as Michelangelo Antonioni, Kiyoshi Kurosawa and Fritz Lang. Surrealism and noir bleed through the sounds, making for the visual texture of an out-of-context movie scene, much like part of a dream.
Dream pop sounds merge with ambient pads, soft vocals and oniric instrumentals throughout the whole piece, on a rollercoaster of emotions and feelings. An album to enjoy from start to finish, paying attention to detail as every sound on the records sums up to the overall meaning of the concept. More
Label:Glossy Mistakes
Cat-No:GLOSSY007
Release-Date:17.12.2021
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1
Akira Ito - Prologue, Into The Beauty
2
Akira Ito - W·A·T·E·R
3
Akira Ito - Dancing Spirits
4
Akira Ito - Essence Of Beauty
5
Akira Ito - Where Spirits Play
6
Akira Ito - Prayer
7
Akira Ito - Life Goes On
8
Akira Ito - Epilogue, Out Of Endless Blue
Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory… a true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.
Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Showa-era pop styles.
But Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.
Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.
Flanked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W·A·T·E·R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.
Hearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.
Gentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia.
Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.
Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka. More
Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Showa-era pop styles.
But Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.
Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.
Flanked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W·A·T·E·R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.
Hearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.
Gentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia.
Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.
Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka. More
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Cat-No:glossy004
Release-Date:30.10.2020
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1
Yas-Kaz - Prelude - The Gate Of Breathing
2
Yas-Kaz - Jungle Book
3
Yas-Kaz - Bow Shaped Moon
4
Yas-Kaz - The Magical Stones & The Double Mirrors + The Wave Of Breathing
5
Yas-Kaz - Windscape
6
Yas-Kaz - Bone Knife
7
Yas-Kaz - Relation Between Bisons, Bananas And Rods - The Previous Night
8
Yas-Kaz - Warriors
9
Yas-Kaz - The Earring Of The Dancers
10
Yas-Kaz - Respite Of The Bows & Arrows
11
Yas-Kaz - Finale - Calendar
Peaceful, percussive and idyllic new age from Japanese composer and student of gamelan music, Yas-Kaz. This seminal album is a cornerstone to understand the Japanese ambient and environmental movement. He rose to musical prominence composing for the dance troupe led by one of the founders of Butoh, Tatsumi Hijikata. The album features a wide range of entirely acoustic instruments and field recordings and was made for stage performance by Sankai Juku Butoh Group at Theatre de la Ville, Paris. Yas-Kaz has influenced quite a few important artist (Ryuichi Sakamoto, Midori Takada, Geino Yamashiro-Gumi) over 4 decades. However, he remains somewhat "unsung": Glossy Mistakes unveils his art throughout this special edition. His composition/music is not focused on any specific genre/style of music either. Especially in his work for dance theatre he often delivers bare abstract sound/resonance which might not be recognized as "musical" from the Western perspective. He lived in Bali, Indonesia in the 70s introducing the gamelan Balinese sounds and culture to Ryuichi Sakamoto (collaborated in the album "Esperanto), Midori Takada, Shoji Yamashiro (leader of Geino Yamashiro-gumi who later created the soundtrack for "Akira”) among others. A unique and unseen masterpiece unveiled again throughout a remastered edition.
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1
Tito - Aparición
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Tito - Anahuac
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Tito - La Vida
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Tito - El Hijo
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Tito - Pecado y Muerte
6
Tito - Cautiverio
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Tito - Sequía y Muerte
8
Tito - Retorno del Mal
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Tito - Éxodo
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Tito - Profecía
11
Tito - Quietud
Protoelectronics psychedelic Mexican Holy Grail rediscovered by Glossy Mistakes. Inspired by Vangelis, Tomita or Kraftwerk, this unknown rarity gets a second life sounding fresh and pioneering today. Tito was born in 1946 in Ciudad de México, the son of two Spaniards. Since he was a youngster, he had felt the passion for music and instruments. In the meantime, he started a career as architect. Since his early years, he joined various teen rock bands, where he played bass and guitar. Slowly but surely, his interest in synthesizers started to grow. And the rest is history. Tito defines himself as an “electronic sounds fanatic”. Quetzalcóatl is a truly authentic cornerstone in those terms: an inspired and eclectic artist gives shape to a unique sound through legendary synthesizers such as the MiniMoog or the Arp Odyssey. His passion was so embedded that he even built his own guitars and equalizers; some of which appear on this LP. Quetzalcóatl, his debut solo album, was originally recorded in 1977 (now remastered) in his bedroom using a four-channel Sony recorder in a truly DIY way. This álbum could be considered as a rarity. But if we listen hard enough, we find a pioneering treasure. Somehow, Quetzalcoátl anticipated the sounds of future decades with simple but inspired compositions. It is a mythological trip to the Pre-Hispanic México. This album is an allegory of the Aztec world. Quetzalcoátl is the most important God for Mesoamerican cultures: it represents the inherent human dualism between the body (represented by the snake) and soul (the feathers). In the song “Profecía”, Quetzalcoátl emerges, announcing the end of the world at the hand Spanish colonialism. Limited edition, 600 copies, remastered in Amsterdam by Wouter Brandenburg.
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Imagine standing on an empty room. Nothing seems to be moving. There is not a single noise there. Just a wooden door. You it and you find a space full of color, movement. You can see a few bodies swaying. You can hear clearly a melody. A beautiful vocal. Several palm trees arise. You find yourself in the middle of one of the most beautiful paradises on earth, Martinique Island.
What you are hearing is Raphäel Toiné’s “Ce Ta Ou / Sud Africa Révolution”, one of the most gorgeous Zouk albums ever made. Funk arrangements, fat bass & crazy synths all melt together in a record that transports the dancer to a remote piece of land in the middle of the Caribbean.
This rare afro-boogie and Zouk synth funky LP was recorded in Switzerland in 1986 by this incredible artist that knew how to condense the vibe and lifestyle of a region in a piece of black gold.
"Dread vibrations” or “Sortilège”, two of the seven cuts that compose this work are both ready to delight a listener on the prettiest sun rise as well as make dancers drool at the end of a three-day festival. "Femmes pays douces" is an impressive exercise where vocals decorate a melodic instrumentation that could be listened in loop forever. "Bizness a Bangkok" is a synth and jazzy masterpiece that captures the 80s pure essence and brings peace to the body and mind.
Glossy Mistakes unleashes its second release reissuing this highly demanded piece of music that really deserves to reach an audience that can appreciate this ode to the Caribbean islands. Let yourself loose and embrace the essence of the 80s Raphäel Toiné sounds with a fresh coconut in your hands.
Key Selling Points: • Limited edition of 600 copies • Multiple NTS Radio Plays, including Donna Leake. • Highly demanded LP in Second Hand Platforms. • remastered by Wouter Brandenburg More
What you are hearing is Raphäel Toiné’s “Ce Ta Ou / Sud Africa Révolution”, one of the most gorgeous Zouk albums ever made. Funk arrangements, fat bass & crazy synths all melt together in a record that transports the dancer to a remote piece of land in the middle of the Caribbean.
This rare afro-boogie and Zouk synth funky LP was recorded in Switzerland in 1986 by this incredible artist that knew how to condense the vibe and lifestyle of a region in a piece of black gold.
"Dread vibrations” or “Sortilège”, two of the seven cuts that compose this work are both ready to delight a listener on the prettiest sun rise as well as make dancers drool at the end of a three-day festival. "Femmes pays douces" is an impressive exercise where vocals decorate a melodic instrumentation that could be listened in loop forever. "Bizness a Bangkok" is a synth and jazzy masterpiece that captures the 80s pure essence and brings peace to the body and mind.
Glossy Mistakes unleashes its second release reissuing this highly demanded piece of music that really deserves to reach an audience that can appreciate this ode to the Caribbean islands. Let yourself loose and embrace the essence of the 80s Raphäel Toiné sounds with a fresh coconut in your hands.
Key Selling Points: • Limited edition of 600 copies • Multiple NTS Radio Plays, including Donna Leake. • Highly demanded LP in Second Hand Platforms. • remastered by Wouter Brandenburg More
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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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1
Yutaka Hirose - Reflection
2
Yutaka Hirose - Fluctuation
3
Yutaka Hirose - Light From Clouds
4
Yutaka Hirose - Air To Feel Outside
5
Yutaka Hirose - Inner Voice
6
Yutaka Hirose - Looking Back
7
Yutaka Hirose - The Breath Of Cyberspace
8
Yutaka Hirose - Babel’s Library
9
Yutaka Hirose - Cross Section Of The Underground
10
Yutaka Hirose - Voice From Past Technology
11
Yutaka Hirose - Study For Scientists
DLP: 350gsm Sleeve, Sticker, Liner Notes
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
More
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
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1
Ash Ra Tempel - Power Drive
2
Ash Ra Tempel - Timeship
3
Ash Ra Tempel - SHeeee
- LP, GF, Sticker, 50th Anniversary Re-Edition with 4 page Inlay including original Manuscript by Timothy
Leary and photos from the recording session
- Recorded 1972, Original Release: 1973
- 2022 Re-Cut carefully overseen by Manuel Göttsching
- Cover painting by Walter Wegmüller
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient.
TRACKLIST
Space (16:03)
Downtown
Power Drive
Right Hand Lover
Velvet Genes
Time (21:15)
Timeship
Neuron
SHe
SHORT INFO
After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of
the authorised 50th Anniversary “A.R.T.” Re-Edition Series.
“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”
Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
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Leary and photos from the recording session
- Recorded 1972, Original Release: 1973
- 2022 Re-Cut carefully overseen by Manuel Göttsching
- Cover painting by Walter Wegmüller
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient.
TRACKLIST
Space (16:03)
Downtown
Power Drive
Right Hand Lover
Velvet Genes
Time (21:15)
Timeship
Neuron
SHe
SHORT INFO
After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of
the authorised 50th Anniversary “A.R.T.” Re-Edition Series.
“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”
Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
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Label:180g
Cat-No:180GLP05
Release-Date:18.05.2024
Genre:World Music
Configuration:LP
Barcode:5050580821903
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Label:180g
Cat-No:180GLP05
Release-Date:18.05.2024
Genre:World Music
Configuration:LP
Barcode:5050580821903
1
Ajate - Waya Yawa
2
Ajate - Iduchihemo
3
Ajate - Nagi Yoni
4
Ajate - Kopi Lakanka
5
Ajate - Roghinaware
Tokyo based band and Afrobayashi pioneers Ajate are back with their third album: experience the explosive encounter of Afro groove and Japanese traditional Ohayashi music!
During a stay in West Africa in the late 2000's, Japanese musician Junichiro "John" Imaeda was taken aback by the similarities he felt between the Afrobeat that resonated in the streets of Accra, and the sounds of the "Ohayashi", the music played during ancestral Japanese festivals, in which John had participated since his childhood.
On his return to the archipelago in 2009, Imaeda created Ajate, a collective of ten passionate musicians. Together they started crafting music that moves from one world to another, with intertwined roots. The drums, flutes and bells are joined by curious instruments handmade by John himself with the essential material of the Japanese countryside: bamboo. The "Jaate", an amplified xylophone-balafon equipped with piezoelectric sensors on each of its keys, or the "Piechiku", a bamboo version of the Malian "Ngoni" or the Gnawa "Guembri", equipped with shamisen strings and connected to an arsenal of guitar pedals, give Ajate an absolutely unique sound. Powerful and catchy Japanese female and male vocals bring the final touch to an incredible groove where Afrobeat and Ohayashi music are woven together so seamlessly that Ajate has managed to capture a truly distinct fusion. The band sings about the power of human connections, the force of being and living all together, the joy of sharing, and the beauty of life. Ajate's music is a magnificent example of the way sounds are able to migrate in contemporary music.
The band's explosive live performances have taken Ajate to the most prestigious stages in Japan, such as the Sukiyaki Meets The World and Fuji & Sun festivals. The release on French label 180g of their "Abrada" and "Alo" albums, in 2017 and 2020 respectively, opened the doors to Europe, with memorable shows at the Transmusicales de Rennes festival - followed by a session on KEXP (Seattle, USA) - at Jazz a Vienne, and at WOMAD UK, among many others. With their brand new album "Dala Toni", Ajate prove once again that they are at the forefront of global music "made in Japan". More
During a stay in West Africa in the late 2000's, Japanese musician Junichiro "John" Imaeda was taken aback by the similarities he felt between the Afrobeat that resonated in the streets of Accra, and the sounds of the "Ohayashi", the music played during ancestral Japanese festivals, in which John had participated since his childhood.
On his return to the archipelago in 2009, Imaeda created Ajate, a collective of ten passionate musicians. Together they started crafting music that moves from one world to another, with intertwined roots. The drums, flutes and bells are joined by curious instruments handmade by John himself with the essential material of the Japanese countryside: bamboo. The "Jaate", an amplified xylophone-balafon equipped with piezoelectric sensors on each of its keys, or the "Piechiku", a bamboo version of the Malian "Ngoni" or the Gnawa "Guembri", equipped with shamisen strings and connected to an arsenal of guitar pedals, give Ajate an absolutely unique sound. Powerful and catchy Japanese female and male vocals bring the final touch to an incredible groove where Afrobeat and Ohayashi music are woven together so seamlessly that Ajate has managed to capture a truly distinct fusion. The band sings about the power of human connections, the force of being and living all together, the joy of sharing, and the beauty of life. Ajate's music is a magnificent example of the way sounds are able to migrate in contemporary music.
The band's explosive live performances have taken Ajate to the most prestigious stages in Japan, such as the Sukiyaki Meets The World and Fuji & Sun festivals. The release on French label 180g of their "Abrada" and "Alo" albums, in 2017 and 2020 respectively, opened the doors to Europe, with memorable shows at the Transmusicales de Rennes festival - followed by a session on KEXP (Seattle, USA) - at Jazz a Vienne, and at WOMAD UK, among many others. With their brand new album "Dala Toni", Ajate prove once again that they are at the forefront of global music "made in Japan". More
Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804181518
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Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804181518
1
Ben La Desh - Heel Goed
2
Ben La Desh - Lift Adrift
3
Ben La Desh - Fine Rise
4
Ben La Desh - Asanti
5
Ben La Desh - Expanding Signal
Genre: Deep House
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
More
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
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Label:La Sape
Cat-No:SAPE030
Release-Date:03.05.2024
Genre:Jazz
Configuration:LP
Barcode:5050580820807
1
David Versace - Heart To Heart
2
David Versace - Full Moon Sprint
3
David Versace - With Time
4
David Versace - You Really Mean It
5
David Versace - Same Signals
6
David Versace - Red Dirt
7
David Versace - New Day
8
David Versace - Capricorn
David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.
Supported by Gilles Peterson on his WWFM show and Jamie Cullum on BBC Radio 2. More
Supported by Gilles Peterson on his WWFM show and Jamie Cullum on BBC Radio 2. More
Label:Spaced Repetitions
Cat-No:SRP05
Release-Date:07.06.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144643
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Label:Spaced Repetitions
Cat-No:SRP05
Release-Date:07.06.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144643
1
Manuel Tur - Omina (DJ Counselling Remix)
2
Manuel Tur - Flakon (All Is Well Remix)
3
Manuel Tur - Slow White (Yuu Udagawa Remix)
4
Manuel Tur - Shadowgraph (Yuu Udagawa Remix)
GENRE/S: House / Techno, Trip-Hop/Headz
TRACKLISTS:
A1: Omina (DJ Counselling Remix)
A2: Flakon (All Is Well Remix)
B1: Slow White (Yuu Udagawa Remix)
B2: Shadowgraph (Yuu Udagawa Remix)
SHORT INFO:
Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.
London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.
More
TRACKLISTS:
A1: Omina (DJ Counselling Remix)
A2: Flakon (All Is Well Remix)
B1: Slow White (Yuu Udagawa Remix)
B2: Shadowgraph (Yuu Udagawa Remix)
SHORT INFO:
Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.
London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.
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Last in:26.03.2024
Label:Paryia
Cat-No:Paryia005
Release-Date:19.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181396
1
DJ Babatr - A1 The Journey
2
DJ Babatr - A2 In the Groove
3
DJ Babatr - B1 Xpansion Move
4
DJ Babatr - B2 In the Jungle
12"
GENRE/S:
House, Raptor House, Bass, Techno, Tribal
TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle
DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.
VITAL SALES POINTS:
- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter
More
GENRE/S:
House, Raptor House, Bass, Techno, Tribal
TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle
DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.
VITAL SALES POINTS:
- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter
More
Label:Infoline
Cat-No:ILG005
Release-Date:26.06.2020
Genre:Electronic
Configuration:12" Excl
Barcode:4251804120982
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Last in:26.06.2020
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Label:Infoline
Cat-No:ILG005
Release-Date:26.06.2020
Genre:Electronic
Configuration:12" Excl
Barcode:4251804120982
1
Siegmar Fricke - A1 Discolamb 4:15
2
Siegmar Fricke - A2 Investing In The Future 6:10
3
Siegmar Fricke - A3 Turn Up The Bees 3:26
4
Siegmar Fricke - B1 Skip Static 7:42
5
Siegmar Fricke - B2 Time Compression 7:31
TRACKLIST
A1 Discolamb 4:15
A2 Investing In The Future 6:10
A3 Turn Up The Bees 3:26
B1 Skip Static 7:42
B2 Time Compression 7:31
RELEASE INFO
Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète
and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went
beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own
productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical
sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio
Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time
Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated
them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to
record material around the clock. He listened to many radio shows from England or Holland, which often
broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring
sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop
collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.
More
A1 Discolamb 4:15
A2 Investing In The Future 6:10
A3 Turn Up The Bees 3:26
B1 Skip Static 7:42
B2 Time Compression 7:31
RELEASE INFO
Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète
and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went
beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own
productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical
sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio
Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time
Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated
them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to
record material around the clock. He listened to many radio shows from England or Holland, which often
broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring
sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop
collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.
More
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180559
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Last in:08.05.2024
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Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180559
1
Extrawelt - Riverrun
2
Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
2LP Excl
in stock
Label:Glossy Mistakes
Cat-No:GLOSSY013
Release-Date:23.06.2023
Genre:Funk
Configuration:2LP Excl
Barcode:8435008876388
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Last in:08.05.2024
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Last in:08.05.2024
Label:Glossy Mistakes
Cat-No:GLOSSY013
Release-Date:23.06.2023
Genre:Funk
Configuration:2LP Excl
Barcode:8435008876388
1
FINIS AFRICAE - Radio Tarifa
2
FINIS AFRICAE - El Secreto de las 12
3
FINIS AFRICAE - Luna
4
FINIS AFRICAE - Zoo Zulu
5
FINIS AFRICAE - Juana y Rosalía
6
FINIS AFRICAE - Hybla
7
FINIS AFRICAE - Managua
8
FINIS AFRICAE - Bahía de los Genoveses
9
FINIS AFRICAE - El Viento que Mece los Juncos
10
FINIS AFRICAE - Costa de la Muerte
11
FINIS AFRICAE - Petróleo, Petróleo
12
FINIS AFRICAE - Las Reglas de la Regata
13
FINIS AFRICAE - El Viaje de Iradier
14
FINIS AFRICAE - Alma Ata
15
FINIS AFRICAE - Los Restos del Naufragio
16
FINIS AFRICAE - El Pulso de la Madera
17
FINIS AFRICAE - Geosinclal
2 LP
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More
TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal
"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.
On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.
And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.
The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family. More
Label:pont neuf records
Cat-No:PNLP001
Release-Date:15.03.2024
Genre:House
Configuration:LP
Barcode:
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Label:pont neuf records
Cat-No:PNLP001
Release-Date:15.03.2024
Genre:House
Configuration:LP
Barcode:
1
Tour-Maubourg - La Révolte du Coeur
2
Tour-Maubourg - Diffraction Rythmique
3
Tour-Maubourg - Saint Thé à la Menthe
4
Tour-Maubourg - L'invitation au Voyage
5
Tour-Maubourg - Ode To Love
6
Tour-Maubourg - Le Vol du Corbeau
7
Tour-Maubourg - Inaptitude
8
Tour-Maubourg - Les Mots
Repress!
Tour-Maubourg presents his debut studio album ‘Paradis Artificiels’. This touching piece of music shows the talented artist’s beautiful exploration which is a mixture between house rhythms and jazz sonorities with a pinch of pop influences. More
Tour-Maubourg presents his debut studio album ‘Paradis Artificiels’. This touching piece of music shows the talented artist’s beautiful exploration which is a mixture between house rhythms and jazz sonorities with a pinch of pop influences. More